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|Named Person:||Paul Cézanne; Henry Pearlman; Rose Pearlman|
|All Authors / Contributors:||
Paul Cézanne; Jane Friedman; Sharon Herson; Audrey Walen; Ashmolean Museum,; Musée Granet,; High Museum of Art,; Vancouver Art Gallery,; Princeton University. Art Museum,
|Notes:||Published on the occasion of the exhibition of the same name, held at Ashmolean Museum of Art and Archaeology, Oxford, March 13-June 22, 2014, Musée Granet, Aix-en-Provence, July 11-October 5, 2014, High Museum of Art, Atlanta, October 25, 2014-January 11, 2015, Vancouver Art Gallery, February 7-May 18, 2015, and Princeton University Art Museum, September 12 2015-January 3, 2016.|
|Description:||xv, 303 pages : illustrations (chiefly color), portraits ; 30 cm|
|Contents:||The collector. Reminiscences of a collector / Henry Pearlman ; The Pearlman Collection in context / Rachael Z. Delue ; Chronology / Allison Unruh --
The artists. Honoré Daumier and a new art-language / James Christen Steward ; Courbet's "unforgettable" Portrait of a young woman / Petra Ten-Doesschate Chu ; Manet's quarrel with impressionism / Bridget Alsdorf ; A deceptively simply still life by Pissarro / Cora Michael ; Alfred Sisley's portraits of place / Caroline Harris ; Posing problems: Degas's handling of the nude / Scott C. Allan ; Van Gogh's tarascon stagecoach: nostalgia for a vanishing past / Petra Ten-Doesschate Chu ; Cézanne, painting, and harmony / Matthew Simms ; Painting on drawing: Cézanne's watercolors / Matthew Simms ; Satire and spectacle in two paintings by Toulouse-Lautrec / Cora Michael ; Gauguin and the dream of the exotic / Alastair Wright ; Wilhelm Lehmbruck: a path for German sculpture not taken / Betsy Rosasco ; Modigliani, poet of the human face / Betsy Rosasco ; Chaïm Soutine: fracture, form, subject / Kelly Baum ; Jacques Lipchitz: sculpture as encounter / Allison Unruh ; "Your kind smile": Oskar Kokoschka's portrait of Henry Pearlman / Betsy Rosasco --
Checklist of the exhibition.
|Other Titles:||Masterpieces of European art from the Pearlman Collection|
|Responsibility:||edited by Jane Friedman, Sharon Herson, and Audrey Walen.|
A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections
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